Mother Mary opens itself up to something much stranger than it ever fully commits to, and that tension runs through everything.

Mile End Kicks ends up feeling smaller than it wants to be, and more forgiving of Grace than it probably should be. It captures her drift, her blind spots, her avoidance, but it never really presses on them hard enough to turn that into something sharper.

Predator: Badlands doesn’t just continue the franchise it gives it new life.